Just a quick update on Rockridge Nightscape. I diminished the contrast of the tree's shadow in the foreground. Pushed back the lights on the horizon line and increased the contrast; alluded to windows in brownstones (town houses?).
Filtering by Tag: landscape
Added more complexity to the horizon line and a stroke of red. Almost done!
Trying to add more depth and interest in the foreground. Struggling with the tree on the left. All I can think about is broccoli.
I've become particularly interested in documenting my work, in tracking the development of a painting over time. In an effort to study and share the many lives a painting lives, I will post the history of a painting at the point when I've decided it is complete.
Below is the source photo, the study, the underpainting, and the finished painting of Claremont and Forest.
This painting is from a photo I took with my phone this past Friday night. It is the intersection of MacArthur and Park Boulevard by the high school.
And the latest iteration of "Liquor Video". I've been trying to paint only with 1" or larger brushes to keep the stroke loose and painterly and force myself not to fall into my old habit of overworking details.
Latest iteration of Rockridge Nightscape, AKA Liquor Video.
I've begun painting the fourth large painting in my series of Oakland nightscapes. The reference photograph (below, middle) was one the first that I took in the series and the color study (below, right) was the first in the set of studies that I created last June.
The new painting is in it's *very* early stages - it's just an underpainting. I've probably only spent about an hour on it. BUT I really like the gestural quality it has and am afraid that I will lose that quality and by continuing to work on it. It's that fine line that I continue to search for - mixing looseness and gesture with line and fully realized form...