After way too much time, I've finally added a handful of new sketchbook drawings to the Drawings > Moleskine Japanese Sketchbook section. I do my best to post my daily drawing to instagram, so be sure to follow me there! instagram.com/larahoke
Filtering by Tag: Sketchbook
A Christmas story in progress
Tonight's sketchbook entry is not complete. Any resemblance between the tree and Snuffaluffagus is purely quincidental.
New Sketchbook Entries
I haven't been as productive in the studio recently as I would like. I am, however, trying to work in my sketchbook every day. Below are several recent entries.
Sketchbook entry, 11/18/13
Sketchbook entry, 11/19/2013
Sketchbook entry, 11/20/2013
Sketchbook entry, 11/21/2013
New Sketchbook Images
This summer I was blown away by Pat Sonnino's series of Moleskine Japanese sketchbooks that combined materials (largely from Rome's vast Porta Porteses flea market) with pen and ink and gauche.
Inspired by her work, I purchased a sketchbook and began drawing. Each set of pages is of a particular space, our living room, a friend's apartment, a coffee shop. Each space is connected to the next set of pages by an architectural element, shape, or line.
I've always been a fan of the Surrealist parlor game Exquisite Corpse and like to think of this sketchbook as a spatial version of the game.
Lara Hoke, Japanese Moleskine Sketchbook
I shared my first sketchbook with my critique group last week and received some great feedback. One suggestion was to research the variety of camera angles used to create interest and meaning in film and bring that variation into my work. This shot below is of my first attempt to incorporate this idea. I think it's a start, but that I can push this idea much further.
Lara Hoke, Moleskine Japanese Sketchbook
Work In Progress
Some of the work I'm most proud of lives in the pages of my sketchbook. Over the past several years I've tried to recreate the qualities of those drawings in various ways including projecting transparencies on canvas and photo-etching.
Below is my latest attempt, and, in my opinion, my most successful. In these new pieces, I'm working on toned gessoed boards with pen and ink, using paper towels and water to create atmosphere and a feeling of history. The greatest advantage of this medium over my previous attempts is that, like a sketchbook, it's transportable. I can work directly from my subject matter (as I do in my sketchbook) rather than using reference images.
Pen and ink on gessoed board.